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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Nice comeback record for Bambaataa that uses a vocal chant from a live Soul Sonic Force show back in the day – "Zulu! Can't stop us" looped over some classic break beats, still heard in mixes today. The "not taking no sh*t" version includes some nice rhymes from GLOBE of ... 12-inch, Vinyl record
Debut EP from Biz Markie on Prism! Includes two tracks that never made it to his first LP: a dope version of "They're Coming To Take Me Away", about Biz being carted away to an insane asylum, and "A One Two", done acapella with just Biz rhyming and beat boxing, plus the ... 12-inch, Vinyl record
An offshoot of the 4AD rock scene from the UK, this number sampled Rakim from "Paid In Full" to great effect – and it made quite a bit of sense that the track was issued on 4th & Broadway in the US (probably also a legal move, so that the label wouldn't sue 4AD for copping a ... 12-inch, Vinyl record