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Presenting Jazz Quintet 60
LP (Item 978077) Fontana (Denmark), 1963 — Condition: Near Mint-
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One of the hippest combos on the Danish jazz scene of the 60s! The record has that best of the best sound that keeps us digging through European releases like this – an all-out great effort that easily matches, if not tops, some of the best American jazz from the same period. The group have a snapping approach to rhythm that's clearly inspired by the late 50s work of the Jazz Messengers, but they also open up with a bit more freedom too – getting past some of the more conventional arrangements of the hardbop generation, and moving into some very hip rhythms. Players include Bent Axen on piano, Allan Botschinsky on trumpet, Niels Husum on tenor, Niels Henning Orsted Pedersen on bass, and Bjarne Rostvold on drums – and titles include "One More Chant", "Anticipation", "Yake De Yak", "Waltz For Scharleen", "Little Annie Fanny", and "St Vitus' Dance". © 1996-2024, Dusty Groove, Inc.
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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