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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A cool sextet session from Benny Goodman – one that recalls the best fluid groove of his late 30s small combo sides! The setting here is live, but the recording features excellent sound – all to capture a mix of Benny's clarinet, Zoot Sims' tenor, Bill McGuffie's piano, Bucky ... LP, Vinyl record album
A cool sextet session from Benny Goodman – one that recalls the best fluid groove of his late 30s small combo sides! The setting here is live, but the recording features excellent sound – all to capture a mix of Benny's clarinet, Zoot Sims' tenor, Bill McGuffie's piano, Bucky ... LP, Vinyl record album
Not as great as some of Keating's other work – which can be wonderfully goofy, or arranged in a hip swinging manner that pushes it way past the usual big band groove. Still, the record's not bad, and has some pretty tight playing by a well-selected group of Brit Easy players. Titles include ... LP, Vinyl record album
Not as great as some of Keating's other work – which can be wonderfully goofy, or arranged in a hip swinging manner that pushes it way past the usual big band groove. Still, the record's not bad, and has some pretty tight playing by a well-selected group of Brit Easy players. Titles include ... LP, Vinyl record album
Includes recordings with a thirteen-piece combo led by Don Rendell and featuring Jimmy Skidmore; with Lyttleton's Paseo Band; and in a smaller group with Johnny Picard on trombone, Kathleen Stobart on tenor, Tony Coe on alto, Ian Armit on piano, Brian Brocklehurst on bass, and Eddie Taylor on ... LP, Vinyl record album
A lesser-known Ellington set from the 60s – tracks from the lesser-remembered musical, with alto from Johnny Hodges, trumpet from Ray Nance, and tenor from Paul Gonsalves! Titles include "Our Children", "Nightlife", "I've Just Seen Her", "Back To ... LP, Vinyl record album
The second great session from two of Verve's biggest jazz stars of the 60s – organist Jimmy Smith and guitarist Wes Montgomery – an unlikely pair, to be sure, but one who work great together on the set! The real change here is in Wes' playing – as it's shifted from the mellower ... LP, Vinyl record album
An excellent session of bossa groovers with a slightly classical tinge, played by Ray Brown on bass and Laurindo Almeida on guitar. The set's got a similar feel to some of Ray's other groovy work from the time – like his remake of Jobim's score to the Adventurers. Includes the great groover ... LP, Vinyl record album
A compelling little record from guitarist Dom Minasi – a player we only know from these few Blue Note albums cut right toward's the label's initial run – sweet albums that might have pushed Dom further, had they gotten better exposure! Minasi's a pretty talented guitarist – with ... LP, Vinyl record album