Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Live At Farout

CD (Item 971468) No Business (Lithuania), 1987 — Condition: New Copy
$14.99 ...

CD

List Price: 18.99

Two sharp-edged players, coming together here in a wonderful set of live improvisations – Derek Bailey on guitar and Mototero Takagi on alto sax – each working as if they've understood each others special qualities through years of performing together on stage! Bailey's strings have a metallic quality that mixes well with Takagi's raspy soprano sax – sometimes blown soulfully in straighter lines, but often spun out with lots of angular elements that really match Derek's famous approach to guitar. Either way sounds great to our ears – and titles include "Duo 1", "Duo III", and "Duo IV". CD features the bonus "Duo II".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


No Business (Lithuania), 2021. New Copy
We're not entirely sure if the set was recorded underground, but there's definitely a sense of resonance that comes through in the performance – this echoey space that just seems to further intertwine the improvisations of the members of the group! Katarsis4 is an all-horn group – with ... CD

Frank Gratkowski/Achim Kaufmann/Wilbert De Joode/Tony Buck

Flatbosc & Cautery
No Business (Lithuania), 2018. New Copy
Reedman Frank Gratkowski always has a way of making unusual sounds from his familiar instruments – in this case, alto, clarinets, and flutes – and his energy on the record is really matched by the other three performers, who improvise with Frank in a loft in Germany with a spirit that's ... CD

RED Trio & Celebration Band

Suite 10 Years Anniversary
No Business (Lithuania), 2018. New Copy 2CD
The core RED trio works here with a very expanded lineup – one that turns their smaller-format free jazz into the mode of an improvising orchestra – all in celebration of the tenth anniversary of the trio! The group features Rodrigo Pinheiro on piano, Hernani Faustino on bass, and ... CD
No Business (Lithuania), 1977. New Copy
A fantastic lost slice of work from reedman Sam Rivers – recorded at a point when he was really able to let loose and go for a long stretch of a time – and with a mode that's a bit similar to his better-known late 70s recordings for the Circle label! Some of the elements here are the ... CD

Sam Rivers/Dave Holland/Barry Altschul

Ricochet – Sam Rivers Archive Project Vol 3
No Business (Lithuania), 1978. New Copy
A searing live performance from Sam Rivers – never issued before, and recorded as one non-stop improvisation with a really amazing trio! Rivers plays tenor, soprano, flute, and piano – and the record is a great example of the constantly creative energy that he can bring to the fold ... CD

Billy Bang & William Parker

Medicine Buddha
No Business (Lithuania), 2014. New Copy
CD...$9.99 18.99
Wonderful work from two players who've just gotten better and better over the decades – both musicians who've made a huge impression from the late 70s onward, but who also continue to grow and refine their ideas as the years go on! This set features beautiful duets recorded at the Rubin ... CD

Free Jazz Group Weisbaden

Frictions/Frictions Now
LST/No Business (Lithuania), 1969/1971. New Copy
CD...$9.99 18.99
A pair of albums from this lesser-known German improv group from the start of the 70s – two rare albums that are as free as their name, and which were both initially pressed in small runs of just a few hundred copies! The quartet have a surprisingly lyrical approach to their music at times ... CD

Francois Carrier/Masayo Koketsu/Daisuke Fuwa/Takashi Itani

Japan Suite
No Business (Lithuania), 2020. New Copy
Not a suite as in the sense that you might guess from the title – nothing composed, no overarching master idea – as instead the set features a series of improvisations all recorded in Saitama – featuring a group with both Francois Carrier and Masayo Koketsu on alto saxes, plus ... CD

Wadada Leo Smith & Sabu Toyozumi

Burning Meditation
No Business (Lithuania), 1994. New Copy
Trumpeter Wadada Leo Smith in his best sort of setting – working in an openly creative space for improvisation, one that has Smith not only shaping things majestically with his lines on trumpet – but also making some nice shifts to other instrumentation too! Drummer Sabu Toyozumi is a ... CD

Sabu Toyozumi/Mats Gustafsson

Hokusai
No Business (Lithuania), 2018. New Copy
Reedman Mats Gustafsson seems to be able to improvise with just about anyone – really shifting his sound and his spirit to match the moment, which is definitely the case here in a set of duets with drummer Sabu Toyozumi! There's a spaciousness here that's very different than some of ... CD
Made In Germany (Germany), 1975. New Copy 2CD
A fantastic live set from reedman Gary Bartz – captured here with his ultra-hip NTU group – who you might know from their classic albums on Milestone in the 70s! Gary's soaring out with a hell of a lot of pride and power right from the start – effortlessly spinning these long ... CD

Alexander Von Schlippenbach Quartet

Three Nails Left
FMP/Corbett vs. Dempsey, 1975. New Copy Gatefold
Amazing work from this seminal group on the FMP scene – a quartet led by pianist Alexander Von Schlippenbach, but equally balanced between the saxes of Evan Parker, bass of Peter Kowald, and percussion of Paul Lovens! We're not sure how much to take the "nails" in the title ... CD
 



⇑ Top