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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Lovely work from a singer you've probably never heard of! British vocalist Barbara Moore spent much of her career in obscurity – singing vocals on studio sessions behind other people's backings, performing as part of larger vocal groups and not under her own name, or doing work for odd ... LP, Vinyl record album
A straight jazz album recorded for the KPM sound library – but a pretty groovy one at that! All the work here is the product of David Lee and his un-named Group Six Players – a cool combo who feature piano, trumpet, guitar, and a bit of flute – all over some really wonderful ... LP, Vinyl record album
A totally great record for fans of the golden age of advertising – a set of classic jingles put together by the Leo Burnett advertising agency – work done for Schlitz, Kellogg, Pillsbury, Marlboro, Green Giant, United Airlines, and older corporate giants! The set is live, but the ... LP, Vinyl record album
More of a straight jazz album than usual for the KPM sound library – an excellent set featuring British alto player Peter King – with John Horler on piano, Dave Green on bass, and Spike Wells on drums! LP, Vinyl record album