Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Hi Records Single Collection

CD (Item 935840) Hi Records/Ultra Vybe (Japan), Mid 70s — Condition: New Copy
$13.99 ...

CD

Not just singles from the great OV Wright – but also a few live tracks and rare demo titles as well! OV's a hell of a singer – one with a voice that matches all the best on the southern scene of the time – and a great companion to some of the best deep soul material on the Hi Records label by artists like Otis Clay or Syl Johnson. And like both of them, Wright had recorded previously, but was able to find a new sort of presence at Hi – a more mature mode and sparkling Memphis production that really brought the most out of his wonderful vocals! Two of the tracks here – "Rhymes" and "Without You" – were only ever singles for Hi, and never came out on album. Two more demo tracks are wonderful – "A Fool Can't See The Light" and "I'm Gonna Be A Big Man Someday" – both very good numbers recorded with a grittier feel than usual. CD also features the cuts "Into Something", "The Time We Have", "Precious Precious", "The Bottom Line", and "We're Still Together" – plus live tracks that include "Love & Happiness", "Ace Of Spades", and "Precious Precious".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


OV Wright

Live In Japan
Hi Records/Ultra Vybe (Japan), 1980. New Copy
OV Wright at the end of the 70s – working live in front of a very enthusiastic Japanese crowd, and in a groove that's right up their with his best work from earlier in the decade! In fact, there's a rawness here that you won't always find on Wright's other records – great live backing ... CD
Hi Records/Fat Possum, 1979. New Copy
CD...$6.99 15.99
OV Wright's getting a bit smooth, but still sounding great – working here with really full backings from Willie Mitchell, at a level that's a bit more upbeat than his previous album at Hi Records! There's a bit more of a groove on these tunes, but most are still miles from the dancefloor ... CD

OV Wright

Bottom Line
Hi Records/Fat Possum, 1978. New Copy
CD...$6.99 14.99
Great work from OV Wright – one of the few singers who was still strongly carrying the Hi Records torch at the end of the 70s! Although Wright had sometimes been bluesier in the past, his late 70s Hi sides have a much mellower, mature sort of feel – a ripening of the seeds in his ... CD

Dorothy Moore

Talk To Me
Malaco/Ultra Vybe (Japan), 1980. New Copy
A wonderful record from Dorothy Moore – done at a time when the singer was not only one of the leading lights of the southern soul scene, but also maybe the heir apparent to styles that had previously been handled by giants like Aretha Franklin, Ann Peebles, or Shirley Brown! Many of the ... CD
Malaco/Ultra Vybe (Japan), 1982. New Copy
Sho-Nuff deepens their sound nicely for this second set for Malaco Records – still sticking in the lean club funk sound of their debut for the label – but also reaching a bit more on the lyrics and vocals too! Ballads show up a bit more than before, and almost evoke an old school group ... CD

Sho Nuff

Tonite
Malaco/Ultra Vybe (Japan), 1980. New Copy
A southern funky nugget from Sho-Nuff – issued at an early 80s point when the Malaco label was open to other modes besides just blues and deep soul! The record's got a tight clubby crackle that feels like something from the New York indie scene of the time – a lean groove that's very ... CD
Malaco/Ultra Vybe (Japan), 1979. New Copy
An amazing, unjustly obscure bit of southern funky soul – played with kind of a club oriented groove, and a strong nod towards middle-period Earth, Wind, & Fire – a far different vibe than a lot of the southern soul on the Malaco label! The band has some nice harmony vocals over a ... CD

Natural High

Natural High 1
Chimneyville/Ultra Vybe (Japan), 1979. New Copy
An obscure little modern soul groover – with a jazzy funk touch that you wouldn't expect from a record cut at Malaco Studios and released on the southern soul heavy Chimneyville imprint – usually home to much rootsier material! The group's got a soaring groove – with a lot of ... CD
TK/Ultra Vybe (Japan), 1979. New Copy
A rock-solid groove machine from The JBs – an album that's a bit different than their earlier sides for People Records, yet still pretty wonderful overall! The approach is more club than funk – yet the grooves are still mostly live ensemble playing – kind of a ratcheted-up ... CD

General Caine

Girls (with bonus track)
Tabu/Ultra Vybe (Japan), 1982. New Copy
General Caine's got plenty of girls on the cover, and plenty of funk in his groove – that bass-heavy style that made Caine one of the better mainstream funk acts of the time! The General is actually Mitch McDowell – who'd worked previously with James Brown and George Clinton, and ... CD
Ultra Vybe/Tabu (Japan), 1983. New Copy
General Caine's plenty dangerous here – so much so, they found a way to fuse an electric socket to the midsection of the model on the cover! That joke aside, though, the album's got the same tight approach to funk of the group's previous records – made maybe even tighter here by great ... CD
Glades/Ultra Vybe (Japan), 1976. New Copy
Sweet grooves from Funky Brown – an artist who's more soul-based than you'd guess from his name, and who works here in the hippest Miami modes of the mid 70s! The album's got this warm glow that's mighty nice – even smoother and more mature than some of the Timmy Thomas work of the ... CD
 



⇑ Top