This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Pressure Sounds stays true to their name and keep it up with a mighty, mighty dub set of Keith Hudson's heavy roots rhythms from the late 70s, originally issued on Hudson's own tiny Joint International label. Even though the roots era was beginning to wane, Hudson stayed strong and true to the ... CD
Massive roots from Rod Taylor, the culturally oriented youthman who dropped the heaviest of heavy numbers "In The Right Way" and "King David, Solomon, Moses" aka "Ethiopian Kings" for Bertram Brown in the late 70s, but came a bit late in the roots era to ascend to the ... CD
A wealth of rare tracks from the archives of Jamaican producer Bunny "Striker" Lee – tracks pulled from one-off dubplates mixed direct from the studio, and other unreleased tracks pulled from never-heard master tapes too! The music here definitely lives up to Lee's production ... CD
A wonderful return to form for drummer Art Taylor – and a set that crackles with the same sense of soul and fire as his legendary 50s work for Blue Note and Prestige! Taylor's working here in an open-ended hardbop mode that makes the most of the live setting of the record – and which ... CD