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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sweet, sweet east coast Harmony soul, with seminal early Gamble and Huff production! This first Intruders LP lays the blueprint for the astoundingly great Philly soul sound that would dominate the east coast scene for many many years to come. Gamble and Huff's richly string kissed grooves ... LP, Vinyl record album
One of the most creative club acts of the 70s – the mighty Dr Buzzard's Original Savannah Band! Before starting his Kid Creole & the Coconuts combo, August Darnell worked to great fame with Dr Buzzard's Original Savannah Band – kind of a campy, jazzy ensemble – one that ... LP, Vinyl record album
A completely cooking little live set from Aretha Franklin – and a crowning moment not just in her career, but for Atlantic Records soul in general! Aretha's working here before a very enthusiastic crossover crowd at the Fillmore West in San Francisco – getting tight backing from the ... LP, Vinyl record album
Near-perfect work from Ashford & Simpson – really grooving in full powerhouse mode here, and never missing a beat! By all rights, the team should have run out of steam by this point, but the album's another winner from their sublime Warner years – caught in a unique space between ... LP, Vinyl record album
The name may be a bit hokey, but this is one heck of a great little record – every bit as sly and funky as work on the group's excellent Steppin album! The man to thank here is Sonny Burke – who handled arrangement and direction of the backings – and who brings in plenty of heavy ... LP, Vinyl record album
An overlooked bit of crossover funk from Chas Jankel – best known both as the musical force of Ian Dury & The Blockheads during the late 70s, and as the composer of "Ai No Corrida", which was covered more famously by Quincy Jones! This set's got a surprisingly great feel that's ... LP, Vinyl record album
An 80s classic from Howard Hewett – just the kind of set that made the singer one of the freshest voices in soul at the time! Hewett's vocals are lean and right on the money – perfectly suited to fit the 80s groove mode of the backings – especially the bubbly, bouncy kind of cuts ... LP, Vinyl record album
Shelly Manne scored big with a jazz version of the Peter Gunn soundtrack in the 50s – and he does it again in this 60s version of Henry Mancini's music for the full-length Gunn movie! The style here is a bit more far-reaching and looser than before – showing not just Manne's ... LP, Vinyl record album
A wonderfully wicked meeting of the minds – and a legendary bit of soul jazz from organist Big John Patton! The core of the record features the usual Patton groove – with John on Hammond, Grant Green on guitar, and Otis Finch on drums – but added to that mix is Bobby Hutcherson ... LP, Vinyl record album
One of the best hard-wailing all-star sessions that Jimmy did so well for Blue Note! The album features an amazing array of top-line players – like Tina Brooks, Lee Morgan, Curtis Fuller, Lou Donaldson, Art Blakey, and Kenny Burrell – and they all play with Smith in differing ... LP, Vinyl record album