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Tom Tom Club
LP (Item 8390) Sire, 1981 — Condition: Near Mint-
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The first album by The Tom Tom Club – a group that started out as a side project by Talking Heads members Tina Weymouth and Chris Frantz – but which went onto have a surprising life of its own! Like the Talking Heads at the start of the 80s, Tom Tom Club were very open to pulling together rhythms from the soulful underground – bits of Caribbean influence and certainly some sounds from hip hop too – but used in these cool sing-songy tunes that also had ties to the same New York underground scene that gave the world ESG and Liquid Liquid! Yet there's also a nicely complex set of textures, too – thanks to work on the record by Adrian Belew and Steve Stanley – both of whom can balance out funky elements and more interesting textures. The record took off immediately with the track "Genius Of Love" – inspired by hip hop, and respected by that scene too – as was the album's classic "Wordy Rappinghood". The whole thing's great – an excellent document of the moment, but more timeless too – and other titles include "L'Elephant", "As Above So Below", "On On On On", "Lorelei", and "Booming & Zooming". © 1996-2024, Dusty Groove, Inc.
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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