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Copenhagen & Haarlem
LP (Item 77561) Arista Freedom, 1965/1966 — Condition: Very Good+ 2LP Gatefold
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A late 70s issue of two mid 60s live recordings of Bley's trio recorded in concert in Europe, with either Kent Carter or Mark Levenson on bass, and Barry Altschul on drums. Bley's playing in a mode that reflects ther influence of a number of the more progressive players of the same era, with a free flowing multi-linear improvisational approach, that still maintains a strong emphasis on melody and never gets too frenetic. Witha number of great Annette Peacock compositions, including "Cartoon", "Touching", "Start", "Closer", "Pablo" and lengthy takes on "Blood" and "Mister Joy". Features a rare photo of Bley without a pipe in his mouth inside the gatefold too! © 1996-2024, Dusty Groove, Inc.
Very Good + (plus)
- Vinyl should be very clean, but can have less luster than near mint.
- Should still shine under a light, but one or two marks may show up when tilted.
- Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
- This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
- May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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