This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Includes seven tracks recorded with three different quartets. Other players include Amadeo Tommasi, Bob Mover, Larry Ridley, Jacques Peltzer, Lucio Terzano, and Giancarlo Pillot. CD
Killer work from the late 50's by Chet! Although Baker's trumpet playing in the early part of the decade became known as one of the trademark "cool" sounds of the west coast, he started to move towards a sound that was a lot more hardbop at the end of the decade – as you'll hear on ... CD
A surprisingly great electric session by Chet Baker from the 70s – and a record that's got a bit more force and power than most of his other sets at the time! The format here is a bit tighter and more focused than Baker's recordings for CTI from the period – with electric piano from ... CD
Chet Baker on trumpet and vocals, Roger Rosenberg on tenor, baritone and soprano saxophone, Phil Markowitz on piano, Jon Burr on bass, and Jeff Brillinger on drums. Recorded live at Rising Sun Celebrity Jazz Club on March 7th 1978. CD
A later set from Archie Shepp and a real lost gem – quite different from his earlier works, especially the better known late 60s sessions – and a surprisingly nice album that runs through some truly excellent longer takes – filled with warmth and tenderness you wouldn't expect! ... CD
One of the most complex Cecil Taylor records we've heard in years – and that's saying a lot, given the usual complexity of his music! Taylor plays piano and vocalizes a bit – but he's also tied strongly here to the Italian Instabile Orchestra – a large lineup of varied horn, ... CD
A hell of a trumpeter, with a hell of a group – heard here live at the Blue Note in New York, with a very open, freewheeling vibe! Franco Ambrosetti is a player who can sometimes be very much involved with the concept of a project – so much so that we sometimes forget that at the core, ... CD
Never-failing genius from Art Farmer – recording here in his later years, and working in that long and open-ended mode we love so much! There's few trumpeters who could make a record like this work – but Farmer's got a tremendous ability to stretch out on longer tunes with well-crafted ... CD