This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
(Vinyl plays with a light 'swoosh' at the beginning of each side. Cover is great!)
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
With Dick Hyman on piano, Bobby Rosengarden on drums, Barney Bigard on clarinet, Paul Madison on tenor sax, and Pee Wee Erwin on trumpet. LP, Vinyl record album
One of the records that really put saxophonist Scott Hamilton on the map – a well-matched set with reedman Bob Wilber, and a date that has each player taking a different end of the sonic spectrum! Wilber blows alto, soprano, and clarinet – often with a style that maybe hints at trade, ... LP, Vinyl record album
With solos by Milt Hinton, Earl Hines, Joe Newman, Zoot Sims, Urbie Green, Buddy Tate, Lee Konitz, Vic Dickenson, Sal Nistico, and many others. LP, Vinyl record album
With Buck Clayton on trumpet, Vic Dickenson on trombone, Bud Freeman on tenor, Pee Wee Russell on clarinet, Dick Cary on piano and alto, Jack Lesberg on bass, Cliff Leeman on drums, and Jimmy Rushing on vocals. LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
Way nicer than some of Milt's earlier work – and one of the gems he recorded with bassist Ray Brown during the late 60s. The group's got a tight soul jazz stepping groove – with Monty Alexander on piano, comping along right over Ray's warm basslines in a very tasty way. Teddy Edwards ... LP, Vinyl record album
Two classic Eric Dolphy albums – back to back in a single set! First up us Outward Bound – Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments ... LP, Vinyl record album
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group ... LP, Vinyl record album
A pretty interesting album – one in which a host of jazz and rock players pay set music to texts written by consciousness-raiser/sci-fi author Ishmael Reed. There's a few goofy moments on the set, but if you've read Reed's work, you'll also know that goofiness and oddity are part of the ... LP, Vinyl record album