Various : Never To Be Forgotten – The Flipside Of Stax 1968 to 1974 (10 x 7" Box Set w/100 page book) (7-inch, Vinyl record) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Never To Be Forgotten – The Flipside Of Stax 1968 to 1974 (10 x 7" Box Set w/100 page book)

7-inch (Item 762570) Stax/Light In The Attic, Late 60s/Early 70s — Condition: Near Mint-
10x7" Box Set
Out Of Stock

7-inch, Vinyl record

✈
Amazing stuff from Stax Records – a BEAUTIFUL package that features 10 singles in original label sleeves, in a custom made, magnetic flip-top box – which also contains an 84 page book, and a free download for all the songs included! The music here is some of the best work from the second half of Stax – the kinds of singles that are prizes in our funky 45 collection – although there's a here we've never found at all! Titles include "The Dryer (parts 1 & 2)" by Roy Lee Johnson & The Villagers, "The Whole Damn World Is Going Crazy" by John Gary Williams, "Running Out" by Mable John, "Cool Strut (parts 1 & 2)" by Bernie Hayes, "Them Hot Pants (parts 1 & 2)" by Lee Sain, "Hijackin Love" by Johnny Taylor, "Sweetback's Theme" by Melvin Van Peebles, "Blind Alley" by The Emotions, "Itch & Scratch (parts 1 & 2)" by Rufus Thomas, and "Gone The Promises Of Yesterday" by The Mad Lads. Special treat – 15 random boxes include autographed photos!  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Stax, 1974. Very Good-
(4:10 ersion of "My Main Man".) 7-inch, Vinyl record
Stax, 1968. Very Good
(Label has ink stamps.) 7-inch, Vinyl record
Stax, 1971. Very Good+
... 7-inch, Vinyl record
Stax, 1973. Very Good+
(Promo) 7-inch, Vinyl record
Stax, 1975. Very Good+
... 7-inch, Vinyl record
Stax, 1973. Very Good+
(Labels have name in pen.) 7-inch, Vinyl record
Mercury, Early 1950s. Very Good 3 x 7" Box
(Includes insert. Box has light wear on the spine, with a spot of clear tape.) 7-inch, Vinyl record
Chex, 1962. Near Mint-
(Original pressing with MR stamp. Labels have light wear.) 7-inch, Vinyl record
Keen, 1958. Very Good
(White label promo. Labels have crayon and light wear.) 7-inch, Vinyl record
SAR, 1963. Very Good
(Label has a small sticker, light wear.) 7-inch, Vinyl record
DeLuxe, Mid 70s. Very Good
(Black label pressing. Vinyl has a tiny drill hole.) 7-inch, Vinyl record
Avco, 1972. Near Mint-
(Still with Avco sleeve, with light wear, some aging, and bent corners.) 7-inch, Vinyl record
 



⇑ Top