This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Nothing too quiet here – as the album's one of Max Roach's key classics from the Mercury years – recorded with one of the hippest groups he ever led! Players here are all wonderful – Julian Priester on trombone, Stanley Turrentine on tenor, Tommy Turrentine on trumpet, Bob ... LP, Vinyl record album
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... LP, Vinyl record album
A killer batch of hardbop tracks – no-nonsense, straight-ahead, and with all the fire of Roach's work with Clifford Brown! The set was recorded a few years after the untimely death of the Brown/Roach group – and although the album's got "Charlie Parker" in the title, there's ... LP, Vinyl record album
Bennie Maupin's first LP for Mercury, and a great bit of spiritual funky jazz that recalls a lot of the sound of his work with The Headhunters. The first track, "It Remains to Be Seen", is an excellent groover, with some very dark keyboard work by Patrice Rushen, and the rest of the ... LP, Vinyl record album
Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression ... LP, Vinyl record album
A great record – and one that's a lot more unified than the title might make you think! The set has Max post-Clifford Brown, post-the hardbop group that followed Brown, in his more searching soulful mode, playing with some steller younger talents like Booker Little, George Coleman, Julian ... LP, Vinyl record album
American release of this session by the famous French tenor and reed player, with backing by French players like Rene Urtreger, Sacha Distel, and Jean Louis Viale. The set's fairly straight boppish material, with occasional performances by Jaspar on flute. Tracks include "Minor Drops", ... LP, Vinyl record album
One of Max's many great records from the late 50's, most of which tend to get overlooked in favor of his more experimental sessions. The group here includes Ray Bryant, Stanley Turrentine, Julian Priester, and Turrentine's great brother Tommy – and they're joined by Abbey Lincoln on vocals ... LP, Vinyl record album
You know, we've never been sure what they mean by "collates" in the title of this one – but we're guessing the title was chosen because of the way Johnny blows sheets and sheets of sweet sound together on alto sax! The recordings are in an Ellington mode, but taken to a small group ... LP, Vinyl record album
One of the biggest recorrds ever for Ian Carr's Nucleus group – a set that helped the British combo cross over to the US market, thanks to a key release here on Capitol Records! Carr's at the height of his powers here – stretching out on trumpet and flugelhorn, but also playing a bit ... LP, Vinyl record album
Fully-formed genius from the amazing Rodney Franklin – one of the best keyboard stars to emerge from the late 70s scene! Franklin's got a great talent for balancing influences from jazz and soul in ways that are similar to contemporaries George Duke and Bobby Lyle – and like both of ... LP, Vinyl record album