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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The second comeback set from 70s keyboard legend Marc Moulin – and even better than his first! Moulin's really finding his new groove here – settling into a laidback style that has some nice classic touches, and less of the gimmicks of his first Blue Note album. There's more of a jazz- ... LP, Vinyl record album
A trip through seven wonders of far-reaching beathead bliss from Detroit via Chicago producer Moppy – – with guest production and/or instrumentation from Kenny Keys, Radius Inc, Beyond Luck, DJ Kana and more! We knew from the first track we were in for something special, with the opener ... LP, Vinyl record album
8 tracks of early acid house! The sound is really great – lean, with loads of snapping beats and nice keyboard riffs – the best promise that acid house had when it was first cooked up. Titles include "Tom Tom", "Cool & Dry", "Two The Max", "Get ... LP, Vinyl record album
An obscure little funky group from Flint, Michigan, one with a tight ensemble sound that's very much in the Earth Wind & Fire mode – complete with a really great horn section, plenty of bass-heavy grooves a the bottom, and a relatively spiritual feel that comes through strongly on the ... LP, Vinyl record album
Massive keyboard work from Ronnie Foster – one of his sweet funky 70s sets for Blue Note – and a killer all the way through! Ronnie plays a host of cool keys – Hammond, clavinet, and moog – and he's working here with tight production from George Benson, who really helps ... LP, Vinyl record album