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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Excellent early work from Al Hudson – a soulful talent who stood his own in the late 70s, forging an up-tempo funk sound that lived long past disco, and which was sort of a platform for groups of the 80s to build a new dancefloor sound. Hudson relied heavily on bass-y funk to hit his groove, ... LP, Vinyl record album
Great work by one of the archetypal funky soul bands of the 70s – and a group whose impact is still being felt today! Of course, one of the reasons for that is Chaka Khan's incredible vocals – caught here at a prime early point, and very nicely set against some warm electric keyboards ... LP, Vinyl record album
A stunning standout from Ray Charles' years on ABC Records – and a set that brings in a bit of hard-swinging jazz to the country-styled groove Ray was hitting at the time! Backings are by Ralph Burns, who keeps things pretty hip – not as modern as some of his 50s charts for other ... LP, Vinyl record album
A really great post-Philly International album from Harold Melvin & The Blue Notes – the group's first after the departure of Teddy Pendergrass, and a set that shows them hardly missing a beat! The group are still recording at Sigma Sound, with Melvin at the production helm – and ... LP, Vinyl record album
A classic album of soul duets – and one of the deeper records cut by Betty during the 60s! The arrangements are by the great Marty Paich, and although there's some singers in the background, the overall sound is still pretty nice and soulful. Betty's high voice works well with Ray's raspy ... LP, Vinyl record album
A classic! What seemed a silly idea at the time was true proof of Ray's genius, and the result was the most successful album of his career – and a bona-fide number one hit that rode the charts for years and years! Ray's voice works perfectly with the material, and thanks to soulful ... LP, Vinyl record album
Killer Four Tops material from the early 70s – and a record that proved that they didn't need to be on Motown to still keep churnin' out the hits! The sound is sophisticated, and pushes past the standard format of the group's good-selling records for Motown – hitting a classic AM Radio ... LP, Vinyl record album
The second volume of this series was even better than the first, and contains more hard funky stuff, like "Jungle Fever" by Chakachas, "Doin' It to Death" by the JB's, "Theme from Cleopatra Jones" by Joe Simon, "Fencewalk" by Mandrill, and 16 other funky cuts ... LP, Vinyl record album
Sublime work from Frankie Beverly and Maze – smooth, mellow, and perfectly put together, with a level of care and class that you'd be hard pressed to find in many of the group's contemporaries! The album's not one of the group's most famous, but that makes it even more of a treat, as you'll ... LP, Vinyl record album