Just-Ice : Back To The Old School (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Back To The Old School

LP (Item 7244) Fresh, 1986 — Condition: Near Mint-
Just-Ice wasn't actually part of the old school – although to some, the 1986 release might seem pretty darn close – but he definitely does a good job here of keeping things nice and clean on his classic debut! Production is from Mantronik, but there's also a harder edge than most of his other work in the studio – maybe thanks in part to edits by the great Chep Nunez, who was responsible for doing some great work on the Ultimate Breaks & Beats series! The sound blasts out of the deck with a very booming 80s sound – and the set also features some human beatboxing from DMX, who often explodes with the quality of a drum machine. Titles include "Back To The Old School", "Gangster of Hip Hop", "Latoya", "Cold Gettin Dumb", "Little Bad Johnny", and "Put That Record Back On." The picture cover is a dope notebook-style graffiti drawing of Just-Ice, DMX, Latoya, and Mantronik – that last of whom is carrying a Roland 909!  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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