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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
Way nicer than some of Milt's earlier work – and one of the gems he recorded with bassist Ray Brown during the late 60s. The group's got a tight soul jazz stepping groove – with Monty Alexander on piano, comping along right over Ray's warm basslines in a very tasty way. Teddy Edwards ... LP, Vinyl record album
Two classic Eric Dolphy albums – back to back in a single set! First up us Outward Bound – Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments ... LP, Vinyl record album
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group ... LP, Vinyl record album
A pretty interesting album – one in which a host of jazz and rock players pay set music to texts written by consciousness-raiser/sci-fi author Ishmael Reed. There's a few goofy moments on the set, but if you've read Reed's work, you'll also know that goofiness and oddity are part of the ... LP, Vinyl record album
A beautiful set of hardbop tracks from this vastly underrated trumpeter! The session was originally recorded for the Signal label, but appears here in a Savoy issue, put out a few years after the original. Rodney is in perfect form here, hitting his stride during this comeback period, and playing ... LP, Vinyl record album
With grooves this great, the house must have been full – and the album's a gem of an early live date by Wes Montgomery, recorded in Berkeley with a quartet that includes Johnny Griffin on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! The tunes have a nicely ... LP, Vinyl record album
Despite the "Show Tunes" in the title, this set's really a great batch of tracks from some of Motown's soundtracks from the early 70's. this means that the set includes "Brothers Gonna Work It Out" and "Theme Of Foxy Brown" by Willie Hutch, "Don't It Feel Good To ... LP, Vinyl record album
Mid 70's album of funky soul tracks cut by ex-Gator Willie Tee, with a number of other members of the Gators, for United Artists. Don't go thinking that it's raw New Orleans soul, though, because the sound is a lot more polished, with more of a 70's modern groove to it. Willie's still got some ... LP, Vinyl record album
Easily one of the greatest records that Brazilian percussionist Airto ever recorded – a stunning blend roots and jazzy currents, and a set that follows strongly off his work in the group Quarteto Novo! The set's got contributions from one of his key partners in that combo – reedman ... LP, Vinyl record album