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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Some sweet Liquid Sounds from pianist Paul Smith – one of the grooviest players to recorded for Capitol Records in the 50s! At some level, Smith has a sound that really prefaces lots that would go on in the west coast scene of the 60s – an approach to jazz that's still somewhat ... LP, Vinyl record album
Wonderful stuff from one of the most overlooked arrangers of the 50s! Richards was Stan Kenton's right hand man at one time – and he's got a style that mixes jazz and modernism in the same style as Pete Rugolo, but with a bit more of a commitment to swinging. This rare 1958 set for Capitol ... LP, Vinyl record album
Nice stuff from Pat Williams! Although known for mostly groovy 60s stuff (ala his legendary Verve and soundtrack work), this album features Williams hitting more of a 70s jazz funk groove, with a nice electric edge. The tracks are long, and the solos are played by Tom Scott and Marvin Stamm ... LP, Vinyl record album
One of Duke's most popular albums of the 50s – but we won't hold that against him! The session's one of a number of 50s outings that revisit older classics with the new level of quality offered in the studio – and it's got a similar feel to some of Duke's work for Bethlehem around the ... LP, Vinyl record album
Basically a 10" issue of a slightly abbreviated version of The Birth of The Cool, legendary work from Davis that needs virtually no introduction from us – large group sessions that virtually define the "cool" in cool jazz! The work's quite different from Davis' earlier bop ... LP, Vinyl record album
Beautiful modernist work from Kenton – one of the first albums to cull his genius together as a whole, filled with the kind of tracks that perfectly sum up his unique approach at the time! If you've ever wondered what makes Kenton so great, this is the album to begin with – as it's ... LP, Vinyl record album
A great set of tracks by this oft-overlooked swing guitarist. Kress had a very nice single-note style that swung with a beautiful mellow groove – and these rare sessions from the mid 40s capture him in some great small group settins with players like Hank D'Amico, Stan Freeman, and a very ... LP, Vinyl record album
Wonderful work from Kenton – warm and seductive, yet also modern and adventurous, tunes that are familiar, yet inexplicably transformed by the Kentonite approach! The record's got a similar feel to some of the best work coming out of the Kenton school at the time – and players on the ... LP, Vinyl record album
With "Stars Fell On Alabama", "Our Monday Date", "Casanova's Lament", "Doctor Jazz", "After You've Gone", "If I Could Be With You", "The Shiek Of Araby", "Beale St Blues", and more. LP, Vinyl record album