This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A pivotal album for Mose Allison – and one of the first records to ever feature his voice, even if only on one track! During the 50s, Allison was mostly known for his work as a bop-styled pianist – on records by Stan Getz and others – but at the end of the decade, he really ... LP, Vinyl record album
Tremendous early work from the great Mose Allison – a Prestige album that captures Mose when he was coming off some straighter jazz years as a pianist, but also working to discover his own unique groove as well! Mose plays piano, but also sings on three tracks, and plays trumpet on one more ... LP, Vinyl record album
Mose Allison's last album for Prestige Records – before moving onto even bigger fame at Columbia and Atlantic during the 60s! Unlike Allison's later sets, this one is mostly instrumental – but there are a few sweet vocal tracks that bring out the hip, rootsy lyrical modes that would ... LP, Vinyl record album
One of Mose's mid 60s albums for Atlantic – recorded live, with a bit more of a hip flair than some of his earlier work for Prestige and Columbia, but still with those great vocals that went onto influence a generation of beatnik jazz singers. Mose has more than a bit of New Orleans in his ... LP, Vinyl record album
Hard to imagine Etta Jones being lonely and blue – especially when she sounds as great as this! The album's one of Jones' early classics from Prestige – a date that really has her classing things up a lot, and drawing on bits of Billie Holiday and Dinah Washington's styles, to mix in ... LP, Vinyl record album
Could anyone ever utter a sexier line than "Don't go to strangers, come to me?" We think not, and it's material like that that makes the album a real killer from Etta Jones – one of her best from the 60s, cut when she was really developing her skills as a vocalist, but still had ... LP, Vinyl record album
It's always something nice when Etta Jones makes a record – but this one is especially so, thanks to some intimate small group backing from players who include Oliver Nelson, Lem Winchester, Wally Richardson, and Richard Wyands! The style is relatively intimate throughout – more late ... LP, Vinyl record album
One of a handful of records cut by the lovely singer Byrdie Green for Prestige during the 60s! Byrdie's got a sweet soulful voice – not the greatest in the world technically, but very much in that classic small club mode of the 60s and 70s, as often heard singing with a hip small combo late ... LP, Vinyl record album
A great batch of raw R&B vocals from Jimmy Witherspoon – along with backing by an excellent group that includes the great Clifford Scott on tenor, the always-great T-Bone Walker on guitar, and the little-known Bert Kendrix on organ. Tracks are short, and have a bit more fire than some of ... LP, Vinyl record album
A great record from Carol Ventura – with more of a large group feel than some of the other Prestige Records vocal sessions of the 60s – supposedly with some large charts handled by Benny Golson! There's no mention of players on the set, but the record's a very groovy one – ... LP, Vinyl record album
Possibly one of the most essential Billie Holiday albums for Verve – a set that carries the same title as her famous autobiography, and which also features many key numbers from her songbook at the time! The feel here is quite easygoing and relaxed – with small group backing behind ... LP, Vinyl record album
One of Billie's last recordings, and an incredibly striking batch of songs arranged by Ray Ellis with a sad, fragile ege that's perfect for the style of her later work. Billie's voice is faltering, but in a way that only makes the songs sound more personal and more compelling – and although ... LP, Vinyl record album