This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Beautiful work from pianist Steve Kuhn – working here with a group that features Steve Slagel on soprano, alto, flute, and percussion – plus Harvie Swartz on bass and Bob Moses on drums! LP, Vinyl record album
Two classic Eric Dolphy albums – back to back in a single set! First up us Outward Bound – Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments ... LP, Vinyl record album
The first of a series of great "private" recordings that Oscar Peterson did for the MPS label in the late 60s – sessions done at the home of label owner Hans Georg Brunner Schwer, in a laidback and easygoing style that's different than some of his American work of the time! The ... LP, Vinyl record album
A beautiful album of material by Tadd Dameron – and one that still stands as one of his greatest moments! The record features 5 long readings of classic Dameron compositions – like "The Scene Is Clean", "Fontainebleau", and "Delerium" – all played by ... LP, Vinyl record album
A selection of tracks from Illinois Jacquet's late 60s albums for Prestige, featuring Milt Buckner, Barry Harris, and Wynton Kelly on piano, Alan Dawson, Al Foster, Jo Jones, and Oliver Jackson on drums, Frank Foster on tenor, Matthew Gee on trombone, Tiny Grimes, Billy Butler, and Wally Richardson ... LP, Vinyl record album
A nice set – despite being kind of a put-together batch of tunes! The album's titled "The Last Trane" because it represents the last material that Prestige Records had in its vault from the time that John Coltrane was recording for the label in the late 50s. Titles were recorded ... LP, Vinyl record album
A great lost session from tenorist Willis Jackson – who also plays his gator horn here – right up there with some of his best groovers of the 60s, and recorded with a nice little group of fresh players! The lesser-known organist Jackie Ivory is on the session, and Wild Bill Jennings ... LP, Vinyl record album
A striking title – and a strong set of grooves, even if the tracks were pulled from a variety of different sessions, and not recorded as a unified album. Jug plays tenor on all cuts – working in formats that range from a Mal Waldron led trio to larger honking groups with horn players ... LP, Vinyl record album
Mid 60s issue of earlier work that Miles cut in the 50s – some great tracks that show him breaking from the tighter shorter bop work of the earlier years, and heading into some stretched out sides that have a very open-ended approach. The group on the session is mostly a quartet – with ... LP, Vinyl record album
A great meeting of tenor talents – a collection of some fantastic early material recorded by Jug for Prestige. This collection of great sides, originally issued as 78s, features Ammons and Stitt locking horns on "Blues Up And Down", "You Can Depend On Me", "Easy ... LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album