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(Later MCA pressing. Cover has a split top seam & some wear.)
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
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A twin-alto session that matches the sax of Sonny Stitt with that of Bunky Green – both set up in a tight little combo that includes some smoking work on Hammond by organist Odell Brown! Brown's fierce approach to the keys creates a really gutbuckety sound on the set – making the album ... LP, Vinyl record album
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