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Wake Up (180 gram pressing with bonus download card)

LP (Item 684620) GOOD/Columbia, 2010 — Condition: Very Good-
2LP Gatefold

John Legend shakes loose of the contemporary pop soul style of his previous couple of records with a comparatively raw and direct soul vibe – revisiting some of best socially aware, emotionally resonant and still relevant songs of the 60s & 70s! The best tracks on the set are the ones that have the rawest, most live sounding groove – and there's plenty of that, as he's backed by The Roots. There's no denying John Legend's truthful love of this material, and he sings with genuine depth. They wisely choose numbers with lyrics that stand true to this day, a few of which feature fresh rhymes by guest MCs that further bridge the eras. The track selection is excellent – covering classics by Harold Melvin & The Blue Notes, Bill Withers, Curtis Mayfield, Donny Hathaway and they also go as deep as Baby Huey & Eugene McDaniels. Includes "Hard Times" with Black Thought, "Compared To What", "Wake Up Everybody" with Common & Melanie Fiona, "Our Generation" feat CL Smooth, "Little Ghetto Boy" feat Black Thought (plus the prelude with Malik Yusef), "Hang On In There", "Wholy Holy", "Shine" and more.  © 1996-2019, Dusty Groove, Inc.
(Cover has partially split top and bottom seams.)

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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