This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Great straight work from the legendary Sonny Stitt – recording here in a mode that's different than his funky sides of the time – and a lot more back to basics! The group's a quintet – as Sonny blows both tenor and alto, with help from Joe Newman on trumpet, Duke Jordan on piano, ... CD
One of Sonny Stitt's amazing albums for Roost – a record with a beautifully mature conception of bop soloing, and a totally confident tone throughout! There's an understated brilliance here that's nearly impossible to describe in words – a sense of placement, timing, and phrasing that's ... CD
Some of the last work that Sonny Stitt ever recorded – and a rock-solid return to straight, acoustic work – material that has him blowing both alto and tenor, in two different groups! The first is a quartet with Junior Mance on piano, George Duvivier on bass, and Jimmy Cobb on drums ... CD
Probably the most classic of Stitt's sides for Verve – and certainly the one that gets rated time and time again by jazz collectors. We think it's pretty darn great – although we always wonder why folks don't give Stitt's other sides for Verve as much of a chance, because they're all ... CD
Sublime Sonny Stitt for Verve – a near-perfect record in just about every way from start to finish! Sonny's tone is amazing here – crisp, but still with a great deal of warmth – and focused, but never in a way that's hackneyed or cliched – really showing the brilliance of ... CD
A smoking little bop set from Sonny Stitt – recorded live at the Keystone in 1981, as sort of a "summit meeting" of horns – one that features Richie Cole and John Handy in the frontline with Sonny! The rhythm section alone is enough to cook this one up nicely – with ... CD
One of Sonny Stitt's amazing albums for Roost – a record with a beautifully mature conception of bop soloing, and a totally confident tone throughout! There's an understated brilliance here that's nearly impossible to describe in words – a sense of placement, timing, and phrasing that's ... CD
Sonny Stitt makes Oscar Peterson sit up and groove! The record's a great one, and uses the Peterson Trio as a perfect rhythm section for Sonny's confidently blown solos of the late 50s – in a way that pushes the combo past their usual safe area, and into more freewheeling territory to keep ... CD
Sonny Stitt on alto and tenor saxophone with Bud Powell, Duke Jordan, and Junior Mance on piano, Curly Russell, Eugene Wright, and Tommy Potter on bass, and Art Blakey, Max Roach, and Wes Landers on drums. CD
Some of the last work that Sonny Stitt ever recorded – and a rock-solid return to straight, acoustic work – material that has him blowing both alto and tenor, in two different groups! The first is a quartet with Junior Mance on piano, George Duvivier on bass, and Jimmy Cobb on drums ... CD
A fantastic record – one of Shaw's real landmarks of the 70s, and a lasting testament of soul jazz genius! The record features Shaw working with a group that includes a number of like-minded players – Frank Strozier, Ronnie Matthews, and Stafford James – all of whom fit together ... CD