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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
The great Eric Alexander in a trio mode – soaring out with a lot more space and soul than some of his albums with a pianist – and that's saying a lot, given the wonderfully soulful sound of that work too! The style is a mode that Alexander has explored a bit over the years, but which ... CD
This tenor giant gets better and better with each new album! Eric Alexander is one of our favorite new jazz artists of the past decade – still a relatively young player, but with a sound that's incredible, steeped in years of tradition, yet freely creative in his own unique way. His tenor ... CD
A hokey kind of cover, but a great little album – another easy winner from the team of Eric Alexander and Harold Mabern, easily one of the greatest pairs working together in jazz for the past decade or so! Alexander's got a tremendous tone on the tenor – finely-honed with the maturity ... CD
Clear, clean, and tremendous tenor work from a young Eric Alexander – working here in one of his early partnerships with pianist Harold Mabern – in a way that really helps to re-direct Mabern's energy, and take him back to the glory days of his recordings in the 60s! Alexander's tenor ... CD
Alexander's second outing for the Milestone label (hence the title), and a wonderful album of soulful tenor tracks that has him working in a quintet with Harold Mabern on piano and Jim Rotondi on trumpet. Mabern and Alexander have, by this time, forged quite a sympathetic relationship – and, ... CD
One of Sonny Rollins' sweetest electric sessions from the 70s – a date that features Patrice Rushen handling some keyboards, and Lee Ritenour on guitar – but Sonny blowing solid, soulful tenor all the way through! The setting is the sort that might initially turn off fans of Rollins' ... CD
A great pairing – one who barely recorded together, but always made magic when they did! The vibe here is different than the Evans/Getz date on Verve in the mid 60s – partly because of the live setting, but maybe also because the group is Bill's – with Eddie Gomez on bass and ... CD
Bill Evans on pinao, Eddie Gomez on bass, and Marty Morell on drums. Titles include "Very Early", "Waltz For Debby", "Quiet Now", "Elsa", "Someday My Prince Will Come", "Sareen Jurer", and "What Are You Doing The Rest Of Your ... CD