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Counterpoint
LP (Item 61643) Marlin, 1979 — Condition: Near Mint-Just Sold Out!
LP, Vinyl record album
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Maybe one of the most soul-based records ever from percussionist Ralph MacDonald – partly because Ralph does a bit of singing, in addition to playing the heavy congas on the cover! Yet the record's still got the core jazz vibe of his other sets from the late 70s – served up with an all-star lineup that includes Grover Washington Jr on soprano and tenor, David Sanborn on alto, Randy Brecker on trumpet, Michael Brecker on tenor, Richard Tee on keyboards, and Eric Gale on guitar – all musicians who help give the whole thing the warm funky fusion vibe of late 70s albums on labels like Kudo or Tappan Zee! Some of the best cuts slide into a snapping 80s groove that opens up nicely with the instrumentation – and Ralph only sings a bit, leaving plenty of room for solos from the players. Titles include the great Latin-inflected groover "East Dry River" – plus "You Are In Love", "I Need Someone", "Tell The Truth", and "Always Something Missing". © 1996-2024, Dusty Groove, Inc.
(Includes the Marlin inner sleeve.)
(Includes the Marlin inner sleeve.)
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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