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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Long lean groovers from Brian Auger and the Oblivion Express group – recorded with a slightly freer feel than some of the group's earlier albums, and an approach that has them stretching out nicely! Brian still sings a bit on some tracks, but there seems to be more of a focus than before on ... LP, Vinyl record album
Good double LP set that compiles some of the best tracks from Jimmy Heath's Riverside years, and which features the razor sharp reed player in the company of Herbie Hancock, Donald Byrd, Cedar Walton, Paul Chambers, and Freddie Hubbard. The tracks were drawn from a number of albums, and the set ... LP, Vinyl record album
A super-long batch of messed-up funky jazz from Eddie Harris! The record's got Eddie working all aspects of the electric sax – in a similar style to some of his other work on the best Atlantic albums of the 70s (like Instant Death of Plug It In) – and the group features a shifting cast ... LP, Vinyl record album
Wonderful 70s work from Gabor Szabo – a record that has him picking up a bit more of a soulful undercurrent, while still keeping all his great guitar work nicely upfront! The album has Gabor recording at the legendary Sigma Sound Studios – with help from Philly soul arrangers Richie ... LP, Vinyl record album
One of Eddie's groovier Varitone albums, and a record that has a very electric sound to it! At times, Eddie's electric sax is so off-beat that you'd think he was playing a synthesizer instead of a sax, but in true Harris form, he always keeps it funky, and even the weird sounds have a great groove ... LP, Vinyl record album
Beautifully spacey work from the Modern Jazz Quartet – a record that more than earns its enigmatic title! The session's an odd one – in that the MJQ are recording for the Beatles' famous Apple label – but that fact is also one of the best aspects of the record, as it seems to ... LP, Vinyl record album
A concept album, but one with a really great approach – a heady group of top-shelf saxophonists from the end of the 50s – all coming together in surprisingly tight formation, yet also getting a bit of solo space as well! The project is headed by arranger Bob Prince – who's got a ... LP, Vinyl record album
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features ... LP, Vinyl record album
The first Riverside album by Bev Kelly – an obscure ice-blond singer from the late 50s, with a sound that's much more in keeping with some of the vocalists on the Bethlehem label, than the few singers who cut sides for Riverside. Bev's got the great fortune to be working here with Jimmy ... LP, Vinyl record album