This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The roots of Dino's country style with arrangements by Don Costa. The style here is different from the hit Jimmy Bowman sound of Dean's stone cold country work of the mid to late 60s for Reprise – with a feel that's a bit more in the country pop vocal mode of 50s singers like Jim Reeves or ... LP, Vinyl record album
One of the grooviest albums ever made by this great jazz vocal group – and a record that's darn impossible to find on wax! The Hi Lo's here hit the bossa craze of the 60's, and they turn their vocal harmonies to a Brazilian groove, in sort of a roundabout recognition of the way that their ... LP, Vinyl record album
A near-lost album from Sammy's years at Reprise – and an album that's got that nice bouncey style that the label was using with Dean Martin and Frank Sinatra in the 60s! A lot of the thanks goes to producer Sonny Burke, who inflects Sammy's vocals with a punched-up set of rhythms that makes ... LP, Vinyl record album
Wonderful Sammy from his years at Reprise – and a beautiful album cut in collaboration with arranger Marty Paich! Marty had a swinging, jazzy style that always brought out the best in Sam – even on an album of fuller, mellower tracks such as these. The title hit is done by Sammy in a ... LP, Vinyl record album
Nancy Sinatra recording in London, but still getting some heavy help from Lee Hazlewood – who wrote about half the tracks on the record, and also guest stars on one number too! The backings are fuller than some of Nancy's other Reprise albums – clearly going for some of the jaunty ... LP, Vinyl record album
Groovy Ella from the end of the 60s – the kind of record that marked a really nice change from her staid work for Verve in years past! The setting here is bouncy and mod – a great mixture of jazz, soul, and bits of late 60s Brit Easy – no surprise, given that the sessions were ... LP, Vinyl record album
A beautiful solo moment from the lovely Keely Smith – the singer who first rose to fame in a famous 50s partnership with the lively Louis Prima – but who always had a lot more to offer right under the surface! On her earlier Capitol Records albums with Prima, Keely would occasionally ... LP, Vinyl record album
A double-length set from Dakota Staton – featuring 2 of her albums for the Groove Merchant label! First up is I Want A Country Man – very hip work from Dakota, and one of her great early 70s albums for the Groove Merchant label! Backings here are by the band of Manny Albam – in ... LP, Vinyl record album