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(Stereo pressing. Cover has some ringwear, edge wear, and mostly split top seam.)
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Includes work by Ray Price, Porter Wagoner, Marty Robbins, Linda Hopkins, Marty Robbins, John Anderson, and Clint Eastwood himself! LP, Vinyl record album
Vintage work from some steel guitar pioneers – including Lemuel Turner, Jimmy Tarlton, Jenks Carman, Jimmie Davis, Roy Acuff, and Cliff Carlisle! LP, Vinyl record album
There's a slight shift here from the first album by Steeleye Span – a bit of a shift to just a touch of electric guitar and organ next to the bass guitar lines of Ashley Hutchings – which makes for an even more sinister sound than before! In keeping with their approach, most songs are ... LP, Vinyl record album
(Early pressing with Sheldon stamp and deep groove. Vinyl plays with a click for a few spins on "The Ways Of A Woman In Love". Cover has some wear and aging, split seams held with masking tape, and some peeled spots and an address stamp in back.)LP, Vinyl record album