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(Stereo pressing. Cover has some ringwear, edge wear, and mostly split top seam.)
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A goofy cover, but some great music – Guy Van Duser on guitar, on titles that include "Avalon", "Elmira", "The Syncopated Clock", "On Treasure Island", and a "Duke Ellington Medley". LP, Vinyl record album
Charlie Haden on bass joined by Bela Fleck on banjo, Jerry Douglas on dobro, Stuart Duncan on fiddle, Russ Barenberg on guitar and mandolin, Bryan Sutton, John Leventhal, and Pat Metheny on guitar, Buddy Greene on harmonica, Sam Bush on mandolin, Buck White on piano, Elvis Costello, Jack Black, ... LP, Vinyl record album
Hardly the Broadway album you might expect from the title – and instead, a constant cooker from Tito Puente's 50s years on RCA! The album's got a really lively feel from the get-go, and lots of jazzy instrumentation in the mix as well – tight horns over snapping percussion from Tito ... LP, Vinyl record album