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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Not the Melanie of famous folk rock fame – but instead a cool contemporary artist from France, and one who's got this wonderfully laidback way of putting over a tune! Melanie often speaks as much as she sings – a bit like Jane Birkin or Claudette Longet – and she works with these ... LP, Vinyl record album
Way past the hits, and into some really great territory – a move that makes the record one of our favorite Sergio Mendes sets for A&M! The sweeter bossa pop style here is undercut with a bit more influence from late 60s Brazilian grooves – some of the more baroque turns that Sergio' ... LP, Vinyl record album
Very cool work from Anita O'Day – a session cut with Jimmy Giuffre arrangements, in a style that's a bit different than some of her other 50s work for Verve! Jimmy brings a nice touch of modernism to the record – casting the horns in ways that show his own love of creative colors and ... LP, Vinyl record album