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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the more heavily brooding albums ever cut by Leonard Cohen – and also one of the best – the iconic Songs Of Love And Hate from 1971! Cohen's aptly titled third LP, with the nice spare approach to production that most of his early work had, even more stripped down, with voice and ... LP, Vinyl record album
Hard to go wrong with the sublime "Candy's Room" – and the rest of the album is pretty darn amazing too! Titles include "Badlands", "Adam Raised A Cain", "Racing In The Street", "Factory", "Streets Of Fire", and "Darkness On ... LP, Vinyl record album
The sound of a legend – a raw rocking classic from Janis Joplin – arguably the most perfectly-formed record from her all-too-short run in modern music! There's a focus here that's even sharper than before – and a rising of the funky undercurrents that Janis always had in her ... LP, Vinyl record album