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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Given what a freewheeling, open-minded, and lyrical jazz singer Mark Murphy is, it's hard to imagine him really loving "the blues" – and fortunately, most of that love is extended in the title, because the album itself is less of the blues effort that you might think. True, the ... LP, Vinyl record album
One of his best for Muse, with a beautiful set of jazzy vocal grooves that includes his reading of "Stolen Moments" (later made famous by United Future Organization), plus "D.C. Farewell" and an excellent version of "Waters of March". Warm and breezy, with that ... LP, Vinyl record album
A great collaboration between Oscar Brown Jr. and the breezy Brazilian singer Luiz Henrique! Henrique was one of Brown's "discoveries", as was Sivuca, who also plays and arranges on the LP – gracing it with his classic bossa/jazzy kind of groove. The whole thing's an excellent mix ... LP, Vinyl record album
One of Oscar Brown's great ones, recorded live at the Cellar Door in Washington before an enthusiastic crowd of hipsters! The record's a beautiful mix of soul, jazz, and folk – in the same Chicago tradition that spawned Terry Callier (although Brown's style has a bit more of a "show" ... LP, Vinyl record album
Beautifully icy vocals from the amazing Chris Connor – the kind of record that set a new standard for vocal jazz back in the 50s! The session's a small group one – with Chris singing intimately alongside backing from Herbie Mann on flute and tenor, Kai Winding and JJ Johnson on ... LP, Vinyl record album
Nina's not just singing the blues here – she's completely reinventing the sound of the format – by drawing on a long tradition of vocal expression, and infusing it with the hipper, more personally exploratory mode she forged in the 60s! The album's got a subtle brilliance that means ... LP, Vinyl record album
A very nice live set by Leon – recorded with a great electric group that has Neal Creque on piano, Cornell Dupree on guitar, Oliver Nelson on alto, and added percussion by Sonny Morgan. The vibe is nice and free, and the tracks have a very spiritual sound, in the manner of the work that ... LP, Vinyl record album
A classic from Nat King Cole – one of his greatest albums of the 50s, and a mature batch of ballads that show he had really developed into a heck of a singer! Arrangements are by Gordon Jenkins, and the set features a rich array of moody material – including "When I Fall In ... LP, Vinyl record album
A great little album cut by Nina Simone during the time she was working with Weldon Irvine – a live album that really has the lady stretching out, and showing off all the cool, complicated grooves she brought to a concert setting! Weldon did the arrangements, and they've got a very righteous ... LP, Vinyl record album
Frank's last solid album for Capitol, and an easily swinging set that points the way towards the confident maturity of the Reprise years. The title tune, "Nice and Easy", is a classic swinger with great backing by Nelson Riddle – and the rest of the album's selection of tunes is a ... LP, Vinyl record album