Charlie Christian with Dizzy Gillespie : Charlie Christian (aka After Hours) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Charlie Christian (aka After Hours)

LP (Item 581526) Everest, Early 40s — Condition: Near Mint-
Temporarily Out Of Stock

LP, Vinyl record album

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The roots of bebop! During the early 40s, sets held in Harlem nightclubs, especially the famous Minton's, were seminal to the development of bebop – and you'll hear exactly what we mean on this album! The set features material recorded by Jerry Newman at Minton's and Monroe's up in Harlem – sessions that include players like Dizzy Gillespie, Charlie Christian, Thelonious Monk, Hot Lips Page, Kenny Clarke, and Don Byas. The players run through a batch of material that might be called small-combo swing – but the style of the solos shows a lot of bebop, as well as a strong penchant for new ideas. Titles include "Lips Flips", "Swing to Bop", "Guy's Got To Go", "Kerouac", and "Stardust".  © 1996-2024, Dusty Groove, Inc.
(Cover has bumped corners and is bent at the top left corner.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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