Milt Jackson : Impulse Years (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Impulse Years

LP (Item 57836) Impulse, Late 50s/1960s — Condition: Very Good
2LP Gatefold
A surprisingly big collection of tracks from Milt – documenting his oft-forgotten years at Impulse Records, plus a few more sides from albums he cut with other folks for ABC. The range of the material is far greater than you might think – and takes Milt way past the MJQ stylings of more famous recordings, into a span of tunes that include soul jazz, hardbop, and even a few funky numbers! Titles include "I Love You", "Braddock Breakdown", "Who Can I Turn To", "Queen Mother Stomp", "Bags' Groove", "Evening In Paris", "Put It Off", and "Gingerbread Boy".  © 1996-2024, Dusty Groove, Inc.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Savoy, 1955. Very Good-
One of the best-known 50s jazz sessions from the Savoy label – a laidback classic that's a great illustration of the label's shift in modes after the early bop years! The setting here is relatively informal – with Milt Jackson as the ersatz leader, working almost in blowing session ... LP, Vinyl record album
Pablo, 1987. Near Mint-
With Jimmy Heath and Harold Vick on tenor and soprano sax, Joe Pass on guitar, and Cedar Walton on piano. Titles include "Sleeves", "Sudden Death", "Back To Bologna", and "The Weasel". LP, Vinyl record album

Milt Jackson

At The Kosei Nenkin
Pablo, 1976. Near Mint- 2LP Gatefold
With Ray Brown on bass, Teddy Edwards on tenor, Cedar Walton on electric and acoustic piano, and Billy Higgins on drums. LP, Vinyl record album
Pablo, 1982. Near Mint-
The title's a bit self-pitying, but the music certainly isn't – and even at this late point in his career, the sound of Milt Jackson is coming across loud and clear – possibly more so, because Milt's firmly shaken off the mellower modes of his years with the MJQ! The record has Jackson ... LP, Vinyl record album
Riverside/Milestone, 1962. Sealed 2LP Gatefold
Two great 60s albums from vibist Milt Jackson – both a bit unusual in format! On Big Bags, Jackson takes on a set of 10 standards (mostly) with some help from Tadd Dameron and Ernie Wilkins on larger group arrangements! Milt's the primary soloist, buoyed by an orchestra built around a ... LP, Vinyl record album

Milt Jackson

Bags & Flutes
Atlantic, 1957. Very Good+
Excellent late 50s work by Milt Jackson for Atlantic! Bags & Flutes is very much in the style of Milt's classic Savoy sides from the preceding couple of years – mixing together his jazzy vibes with light lilting solos on flute, either by Bobby Jaspar or Frank Wess, Milt's old compatriot ... LP, Vinyl record album

Milt Jackson

Ballads & Blues
Atlantic, Late 50s. Very Good+
The title says it all with this one – as Milt Jackson plays a set of ballads, and a set of blues – but both in ways that really make the best of his warmly chromatic approach to the vibes! The players here vary on different tracks, but apart from MJQ regular John Lewis, the album also ... LP, Vinyl record album

Milt Jackson

Olinga
CTI, 1974. Near Mint- Gatefold
Milt Jackson's third album for CTI – part of a wonderful run that really helped him redefine his sound in the 70s! The album's got the electric approach you'd expect from the label – a great change from the sound of Jackson in the Modern Jazz Quartet, and a surprisingly great setting ... LP, Vinyl record album

Milt Jackson

Plenty, Plenty Soul
Atlantic, 1957. Very Good+
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and ... LP, Vinyl record album
Atlantic, 1959. Near Mint-
A beautiful setting for the vibes of Milt Jackson – a record that has his sublime chromatic sound stepping out in front of fuller orchestrations from Quincy Jones – never overdone, but with just the right sort of soulful focus to send Milt over the top! The album's an early example of ... LP, Vinyl record album

Art Blakey

Jazz Message
Impulse, 1963. Very Good+ Gatefold
Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels ... LP, Vinyl record album
Impulse, 1963. Near Mint- Gatefold
The title's exploding with Mingus, and the album is too – a completely classic effort for Impulse Records that's easily one of Charles' best of the 60s! Things are reigned in somewhat from the Mingus years at Atlantic or Candid, but the sound is still great – almost more focused than ... LP, Vinyl record album
 



⇑ Top