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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The hard wailing trumpet of Maynard Ferguson gets a perfect showcase on this obscure MPS session from the 60s – a record that offers up a nice bridge between his earlier albums on Roulette, and his more famous funk sides for Columbia! The sound here is mostly acoustic, but definitely hard-gro ... LP, Vinyl record album
Amazing stuff – and one of the hippest records ever cut by pianist Friedrich Gulda! Unlike some of his other more modernist efforts, this one's got a really free swing to it – and it features a spare stripped-down approach that has Gulda's work on piano and "electra piano" ... LP, Vinyl record album
One of the best Rolf Kuhn sessions we can think of – and a classic MPS album that mixes spiritual avant garde jazz with unusual rhythmic progressions and world percussion. Rolf's group here features Phil Woods guesting on alto, a great companion for Rolf's fluid clarinet lines, which sound ... LP, Vinyl record album
One of those wonderful Monty Alexander albums from the 70s – recorded for the MPS label, and with a very different vibe than some of his later albums in the US! There's a warmth, flow, and soul here that comes through instantly – a way of fitting the piano right in with the rhythms, so ... LP, Vinyl record album
Bop modes, updated strongly for the 70s – and played by a hip group of older players who really know how to cook! Supersax is led by Med Flory on alto, who also did the arrangements – and works here with great reed help from Warne Marsh and Jay Migliori on tenor, Joe Lopes on alto, and ... LP, Vinyl record album
Soaring soul from the team of Doug and Jean Carn – he on the keyboards, she on the vocals – both working here with really righteous power! The album brings together some of the best moments from Doug's albums on Black Jazz – including "Little B's Poem", "The ... LP, Vinyl record album
A very different record than the first collaboration between Stan Getz & Joao Gilberto – but that's also one of the things that makes it great! The album's more of a split LP than a shared one – as side one features a live performance from the great mid 60s Stan Getz quartet that ... LP, Vinyl record album
With Charlie Shavers and Red Allen on trumpets, Tyree Glenn and Vic Dickenson on trombones, Buster Bailey on clarinet, Lyle Smith on tenor sax, Milt Hinton on bass, and Panama Francis on drums. Julia Steel provides vocals. LP, Vinyl record album
Sessions like this are proof that Jimmy was one of the most fantastic organ players ever – as his work with large arrangements (supplied here by Claus Ogerman) always seems to groove better than his work with small combos. His sound is impeccable, and he soars ahead of the rest of the ... LP, Vinyl record album