Sonny Stitt : Sonny Stitt Meets Sadik Hakim (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Sonny Stitt Meets Sadik Hakim

LP (Item 559932) Progressive, 1978 — Condition: Near Mint-
A great later date from the legendary Sonny Stitt – and one recorded with the same soulful depth and laidback feel as his best 50s sessions for Roost or Verve! Sonny blows both alto and tenor sax here – and works in the warm company of Sadik Hakim, whose sharp tones on piano bring in a slight modern inflection to the record, but in subtle ways that still lets Stitt's vision strongly take the lead. Buster Williams handles the bass – with those deep tones of his we love so much, and which add a slight contemporary sense of expression to the album – and JR Mitchell rounds out the quartet on drums. Titles include "South Georgie Blues", "Fine & Dandy", "Round Midnight", "Christopher Street Jump", and "Little Girl Blue".  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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