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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Gerry Mulligan brings the piano back in nicely here – but in a way that still hangs onto all the best modern tones of his earlier Pacific Jazz sessions! The date's a live one – done at Storyville in Boston – but the sound is wonderfully intimate, with Gerry on baritone sax and ... CD
Fantastic small group sides from Gerry Mulligan and Chet Baker – includes three discs worth of material from the original 1952/1953 sessions, the 1957 reunion, plus a fourth disc featuring work with Lee Konitz and with vocalist Annie Ross. 82 tracks total! CD
The set's a tight affair with great solo work from a larger group of players – which includes Don Ferrara and Conte Candoli on trumpet, Bob Brookmeyer on valve trombone, Willie Dennis and Alan Raph on trombone, Bob Donovan and Gene Quill on alto, Jim Reider and Zoot Sims on tenor, Buddy Clark ... CD
A sweet little large group session from Gerry – a bit harder swinging than some of his mid 50s small group work, but still with that mellifluous glide that's the trademark Mulligan sound! Arrangements are by some great talnets – including Al Cohn, Johnny Mandel, and Bob Brookmeyer, who ... CD
Features Phil Woods on alto saxophone, Dean Johnson on bass, Ron Vincent on drums, John Clark on french horn, John Lewis on piano, Dave Bargeron on trombone, Wallace Roney on trumpet, and Bill Barber on tuba. CD
The complete sessions by the best-known early version of The Hampton Hawes Trio – one that featured Red Mitchell on bass and Chuck Thompson on drums, heard here on the group's first three albums for the Contemporary label! The Hawes approach to the keys was a very popular one at the time ... CD
An incredibly strong set by McCoy Tyner – one of his best late 60s sides for Blue Note – and a record that really hints at the majesty he'd attain on record in the 70s! The album features Tyner's piano at the head of a large group that includes Lee Morgan on trumpet, Julian Priester on ... CD
Includes the songs "Just A Closer Walk With Thee", "Mood Indigo", "St. Louis Blues", "Hindustan", "Bill Bailey (Won't You Please Come Home)", "St. James Infirmary", "The Bucket's Got A Hole In It", "I Shall Not Be Moved" ... CD
This is the one that really nailed it for Jaco Pastorious – a brilliant showcase for all his many talents on the bass, and a key illustration of the way that he influenced an entire generation! Sure, Jaco in Weather Report was already pretty darn great – but here, on his own, he really ... CD
The title's a bit misleading – because it makes you think that Art Pepper's playing TV Themes – but the music's great, and the session features some excellent work from Pepper during the razor-sharp year of 1957! The tracks on the set are recordings made for the LA-based Stars Of Jazz ... CD