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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Some of the earliest work as a leader by Charlie Mariano – 2 early 50s 10" LPs, compiled back to back on one LP! Even at this early stage, Charlie's got a sound that's extremely strong – blowing alto sax with a soulfulness that was rarely heard on the instrument, using a strong ... LP, Vinyl record album
One of Sonny Criss' classic albums for Imperial – a brilliant batch of LA bop from the 50s, with an impeccable sound throughout! Criss had a tone like nobody else on the alto – and here, he's at the height of his early powers – neither blowing too hard, nor going for boppish ... LP, Vinyl record album
A great late date from Ben Webster – one that has the tenorist working with a Dutch rhythm section that features Cees Slinger on piano, Jacques Schols on bass, and John Engels on drums – stretching out nicely on long tracks that include "Work Song", "The Preacher", ... LP, Vinyl record album
Great early work from Lester Young – an Imperial Records collection of early material from the 78rpm days of Aladdin Records! The work is a great bridge between swing and pop – and Lester Young's tone is superb throughout – on titles that include "One O'Clock Jump", ... LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
Way nicer than some of Milt's earlier work – and one of the gems he recorded with bassist Ray Brown during the late 60s. The group's got a tight soul jazz stepping groove – with Monty Alexander on piano, comping along right over Ray's warm basslines in a very tasty way. Teddy Edwards ... LP, Vinyl record album
Two classic Eric Dolphy albums – back to back in a single set! First up us Outward Bound – Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments ... LP, Vinyl record album
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group ... LP, Vinyl record album
With grooves this great, the house must have been full – and the album's a gem of an early live date by Wes Montgomery, recorded in Berkeley with a quartet that includes Johnny Griffin on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! The tunes have a nicely ... LP, Vinyl record album
A really hip record from the team of bassist Ray Brown and vibist Milt Jackson – a swinging large group record that has them fronting arrangements from Oliver Nelson and Jimmy Heath! Nelson and Heath are both mighty hip cats at this point in their career – and bring a soulful swing to ... LP, Vinyl record album
The early work of Wes Montgomery – as documented on a set of recordings that he made with his family group The Montgomery Brothers (with Monk and Buddy Montgomery in tow), and with The Mastersounds, both of whom recorded during the late 50s for Pacific Jazz. Wes' guitar style was pretty well ... LP, Vinyl record album