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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Yusef Lateef's one and only album for the Charlie Parker label – cut during a period when he's been making real waves in the jazz scene with work on Prestige and Savoy! The set's a bit more straight ahead than some of Lateef's more exotic sides of the time – focusing on his work on ... LP, Vinyl record album
1973 recording that would become the last that Jug and Stitt did before Jug's untimely death in the mid 70's. Duke Pearson produced it (even though it wasn't for Blue Note), and the group includes Junior Mance on piano, Sam Jones on bass, and either Mickey Roker or Ajaramu on drums. Tracks ... LP, Vinyl record album
A great meeting of tenor talents – a collection of some fantastic early material recorded by Jug for Prestige. This collection of great sides, originally issued as 78s, features Ammons and Stitt locking horns on "Blues Up And Down", "You Can Depend On Me", "Easy ... LP, Vinyl record album
A great comeback for tenor legend Gene Ammons – not just in a musical sense, but also because Jug had spent most of the past few years in prison – as part of the usual trumped-up drug charges that were filed against musicians at the time! At the time of this album, Ammons had not ... LP, Vinyl record album
A strange and tasty little album that Roland Kirk made with organist Jack McDuff in the early 60s – one of his few outings in such a format, and a smoking little session that almost makes us wish he'd cut more of them! The format is relatively simple – with lots of interplay between ... LP, Vinyl record album
Gritty live work from twin tenor giants Gene Ammons and Dexter Gordon – recorded in an open-ended style that's a bit like some of Gordon's famous early work on the Central Avenue scene in LA, or Ammons' famous live "battles" with Sonny Stitt! The date was recorded in Chicago at the ... LP, Vinyl record album
One of our favorite Kenny Burrell albums – and a record with a much deeper feel than lots of his other work! Kenny cut this album with John Coltrane in 1958 – and the session's a real standout in both of their careers at the time – Kenny's, for being a well-crafted, highly-focused ... LP, Vinyl record album
A really great session from Sonny Stitt – and one with a slightly different vibe than usual! That vibe comes from the work of two Latin percussionists – Marcelino Valdez on congas and Osvaldo Martinez on bongos – both of whom really a a lot to the groove next to the drums of ... LP, Vinyl record album
One of the best by Red Garland for Prestige – a totally cooking record that features some great added conga work from Ray Barretto! Ray's presence really helps the record live up to its Latin-styled title – and Garland's usual trio with Paul Chambers on bass and Art Taylor on drums ... LP, Vinyl record album
Key recordings from Sonny's breakout year of 1954 – tracks from 2 different sessions, brought together into one album that packs a hell of a punch! The modernist Rollins tenor is at its early peak here – fresh, bold, and highly creative – yet equally concerned with the role of ... LP, Vinyl record album
A great Blue Note 2-fer from the 70s – one that features the first issue of the album Here To Stay, plus the classic Hub Cap! On the first session on the set, the sound is sharp-edged and soulful – a reflection of the groove that Freddie was hitting in the Jazz Messengers of the early ... LP, Vinyl record album
Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels ... LP, Vinyl record album