About Product Images
This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.![Enlarge](javascript:show_product_image("https://cdn1.dustygroove.org/images/products/m/marsal_wynt_standardt_102b.jpg"); "View larger image")
Standard Time Vol 1
LP (Item 548985) Columbia, 1987 — Condition: Very Good+
Related searches
With Marcus Roberts on piano – and titles that include "Caravan", "A Foggy Day", "Cherokee", "April In Paris", "New Orleans", "Soon All Will Know", and "Autumn Leaves". © 1996-2024, Dusty Groove, Inc.
(Cover has light wear.)
(Cover has light wear.)
Very Good + (plus)
- Vinyl should be very clean, but can have less luster than near mint.
- Should still shine under a light, but one or two marks may show up when tilted.
- Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
- This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
- May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
You might be interested
Wynton Marsalis
Hot House FlowersColumbia, 1984. Near Mint-
Features Branford Marsalis on tenor and soprano sax, Kenny Kirkland on piano, Kent Jordan on flute, and Ron Carter on bass. Titles include "Melancholia", "Lazy Afternoon", "Stardust", and "For All We Know". LP, Vinyl record album
Wynton Marsalis
Think Of OneColumbia, 1983. Near Mint-
Wynton Marsalis' second date for Columbia Records, and an album that already has him stretching out from the first! Unlike before, when Wynton was given a few older players to help establish his sound, the group here is all Marsalis' own – with brother Branford on tenor and soprano sax, ... LP, Vinyl record album
Wynton Marsalis
Black Codes – Notes From The UndergroundColumbia, 1985. Near Mint-
Players include Branford Marsalis on soprano and tenor, Kenny Kirkland on piano, Charnett Moffett on bass, and Jeff Tain Watts on drums – and titles include "Black Codes", "For Week Folks", "Chambers Of Tain", "Aural Oasis", and "Delfeayo's ... LP, Vinyl record album
JJ Johnson
Really LivinColumbia, 1959. Near Mint-
One of the hippest, hardest albums that trombonist JJ Johnson ever cut for Columbia – a session we'd rank right up there with his amazing JJ Inc record, and like that one a really cooking hardbop record that maybe even rivals the best on Blue Note and Prestige at the time! As with that gem, ... LP, Vinyl record album
Branford Marsalis
Scenes In The CityColumbia, 1984. Near Mint-
With Ron Carter, Ray Drummond, and Charnett Moffett on bass; Marvin Smith and Jeffrey Watts on drums; John Longo on trumpet, Robin Eubanks on trombone, Mulgrew Miller and Kenny Kirkland on piano, and includes narration by Wendell Pierce from The Wire! LP, Vinyl record album
Charlie Christian
Solo Flight – The Genius Of Charlie ChristianColumbia, 1939/1940. Near Mint- 2LP Gatefold
Small group genius from one of the first major players of jazz guitar – electrified Charlie Christian, working here in the Benny Goodman Sextet, and in his own combo too! LP, Vinyl record album
Gene Krupa
Drummin' Man (2LP Box Set)Columbia, Late 30s/1940s. Near Mint- 2LP Box Set
Features Roy Eldridge, Anita O'Day, Frank Rosolino, Charlie Ventura, Red Rodney, Buddy Stewart, and others. LP, Vinyl record album
Miles Davis
Bitches BrewColumbia, 1969. Very Good 2LP Gatefold
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
Miles Davis
Porgy & BessColumbia, 1958. Sealed
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through ... LP, Vinyl record album
Thelonious Monk
Monk's DreamColumbia, 1963. Very Good+
The first Thelonious Monk album for Columbia Records – and one of the best, as well – a beautiful illustration of the way that his shift in labels really set some new fire to his music in the early 60s! The group is Monk's sharp-edged quartet with the amazing Charlie Rouse on tenor, ... LP, Vinyl record album
Duke Ellington
Ellington IndigosColumbia, 1957. Very Good+
One of Duke Ellington's best albums of the 50s – a well-conceived session of dark moody tracks that revisits a few old favorites, hits a few standards, and offers a new gem that's right up there with the classics! The "indigos" title is taken very seriously here – as the ... LP, Vinyl record album
Duke Ellington
Ellington At NewportColumbia, 1956. Sealed
One of the first albums to ever issue recordings made at the Newport Jazz Festival – quite a big hit, and the beginning of a real trend in jazz! The set's also some great work by Duke – free to perform in a setting that's not bound by some of the time restrictions of earlier years, ... LP, Vinyl record album
