This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Incredible early work from Yusef Lateef – some of his best! On these early Savoy side, Lateef is drawing from the wealth of influences that were running through the Detroit jazz underground of the 50s that spawned him – and apart from a strongly-conceived bop-influenced sound, you'll ... CD
An odd little album on Savoy – one that collects material from 4 different pianists, packaged with a sexy title, and a cover that has a lusty redhead really "loving" the piano! The best material on here, in our opinion, is the Herbie Nichols work – rare non-Blue ... CD
That's two new sides to be exact! The first session features Miles Davis, Al Haig, Tommy Potter and Max Roach. The second replaces Davis with Kenny Dorham and adds Lucky Thompson and Milt Jackson. Tracks include "52nd St. Theme", "Slow Boat To China", "Hot House" and ... CD
The jazz message of Hank Mobley here is loud, proud, and plenty soulful – a key early illustration of his massive talents on the tenor sax, recorded in the relaxed company of top-shelf players of his generation! The format's a bit less structured than Mobley on Blue Note – more in a ... CD
LA bebop jam session material, featuring two long tracks recorded live in the city of angels, probably illegally by Savoy's Herman Lubinsky, who was a noted crook. Who cares, though, as the sides give us a great picture of the kind of lively cutting jam sessions that were ripping through the ... CD
One of the greatest American albums to be issued under Kenny Clarke's name – a smoking set of boppish tracks that groove in a very early 50s Blue Note sort of way! And in fact, the tracks are a bit longer than the usual Blue Note bop sides, which makes them open up with some even longer ... CD
Features Ravi Coltrane on tenor sax, Luis Perdono on piano, Drew Gress on bass, and EJ Strickland on drums – plus special guests Charlie Haden on bass and Brandee Younger on harp! CD
Features Gerry Mulligan on baritone sax, Jimmy Rowles on piano, Chico Hamilton on drums, and either Joe Mondragon, Bobby Whitlock, or Carson Smith on bass. CD
A classic! This is one of the rarest of the rare of all Blue Note albums – and it's the only-ever session cut as a leader by the great tenor player Fred Jackson! The album's a really heavy burner – an all-out organ/tenor assault with the kind of gutbuckety soul groove that only peaked ... CD