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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of those records you see so much it's easy to forget how great it is! Grover's a real genius with the sax on this record – taking a "less is more" cue from Stanley Turrentine's 70s work, and toning down his playing to an even tighter style than on the Kudu albums of earlier ... LP, Vinyl record album
Guitar-heavy fusion from Sweetbottom – one of those late 70s groups that definitely brought a rock into play with their jazz! In fact, this album's got more vocals than the group's previous efforts – definitely heading for the kind of mature, FM radio mode of the time – cats ... LP, Vinyl record album
Compelling duets between guitarists Larry Coryell and Philip Catherine – a studio album recorded in London, hot on the heels of their performance together at the Berliner Jazztage! Although known for their electric musings at the time, both players work here mostly in an acoustic mode – ... LP, Vinyl record album
A brilliant date from the later years of Woody Shaw – an album that equally shows Woody's own talents, and those of his key group of younger players too! Shaw's trumpet is perfect in both modes here – the hard-blown righteous numbers Woody first gave the world from his start, and the ... LP, Vinyl record album
A great back to basics session from organist Jimmy Smith – recorded live in the early 80s, but with a freewheeling small combo sound that takes us back to his Blue Note years! The group on the album's a quartet – with Jimmy on both piano and organ, Kenny Burrell on guitar, and Johnny ... LP, Vinyl record album
80s release of some rare sessions cut at Tristano's private Manhattan studio in the mid 50s, featuring spare trio tracks with Peter Ind on bass and Tom Weyburn on drums. The album is an essential chapter in Tristano's under-recorded career, and the tracks are a delight all the way through. Titles ... LP, Vinyl record album
A masterpiece from George Braith – one of the most unique sax players of the 60s! The album's a Blue Note classic in the Larry Young vein – with lots of free spiralling modal lines, and heavenly solos on organ, guitar, and reeds – the former of which are played by Billy Gardner ... LP, Vinyl record album
Interesting early work from Chico – one that has him working in a trio format, quite different than the chamber modern work of his more famous quintet! The style is not dissimilar, though – as the trio lineup is drums, bass, and guitar – with both of the stringed instruments ... LP, Vinyl record album
An expansive early 70s set from Larry Coryell, joined by an all star group of players: John McLaughlin, Chick Corea, Miroslav Vitous and Billy Cobham. The mood varies throughout, from pieces with a wide reaching searching quality like the title track and "Chris", to a free-ish take on ... LP, Vinyl record album