This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A beautiful record from pianist Evan Lurie – very different than his work in the Lounge Lizards – as the set features bandoneon from Alfred Pedernera, guitar from Marc Ribot, and violin and viola from Jill Jaffee – in a mode that's almost like the hip modern work of Astor ... CD
A pivotal album for Chico – one that has him working with his hip group that included Charles Lloyd and Gabor Szabo, both of whom take Chico into a modal mode that would completely transform his sound! Lloyd's the center star on the album's version of his own "Forest Flower" – ... CD
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite ... CD
One of the most legendary albums on Blue Note – or maybe THE most legendary albums on Blue Note – a stunning session that shows what the label was capable of when it was really hitting on all burners – from the lineup to the music to the production – and even the classic ... CD
The first in Wynton Marsalis' excellent Soul Gestures trilogy – a set that features some especially nice work from Joe Henderson on tenor sax! The set was recorded at a time when Henderson was really coming back into his own – and the long, extended tracks on the record really let Joe ... CD
A Carnegie Hall date that starts with a quintet set and and expands into a big band peformance. Players include John Lewis on piano, James Moody on tenor sax, Cecil Payne on baritone sax, Milt Jackson on vibes, Chano Pozo on congas, and Al McKibbon on drums. CD
PE's third LP, and their last with full on Bomb Squad production. With classics like "Fight The Power", "Burn Hollywood Burn", "Welcome To The Terrordome", "Power To The People", "911 Is A Joke" and the title track. CD
Damn great work from Lisa Stansfield – a record that had her bouncing back way to the top in the late 90s, while still holding onto all the wonderful styles she had at the start! The grooves are lean, clean, and very classic-styled – that mix of well-syncopated rhythms, soaring strings ... CD