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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An early 70s collection of previous work from Pink Floyd – and a crucial display of the younger group's charm to folks who'd only discovered them in the longform jamming years! The set's got some great vocal gems from the Syd Barrett years, plus the kind of fantastic guitar work that the ... LP, Vinyl record album
A totally groovy little album – and one that came along as kind of an offshoot to the weird and wonderful soundtrack for the film Wild In The Streets! Max Frost & The Troopers contributed some great numbers to the soundtrack of that gem – but they're even better here, with a tight, ... LP, Vinyl record album
Billed as "The Original Walker Brothers" on the cover, this one features tracks that Scott cut in the US with John Stewart, in the years before he moved to England and became super-huge stars. The tracks have less of that "wall of sound" style than their later work, and more of ... LP, Vinyl record album
It takes a record like this one to remind us just what a magical crossover time the post-disco, post-punk days of the early 80s could be! Take two white guys from Denmark – Tim Stahl and John Guldberg – give them a drum machine and some funky beats, and out comes the breakdance classic ... LP, Vinyl record album
Long lean groovers from Brian Auger and the Oblivion Express group – recorded with a slightly freer feel than some of the group's earlier albums, and an approach that has them stretching out nicely! Brian still sings a bit on some tracks, but there seems to be more of a focus than before on ... LP, Vinyl record album