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Music To Listen To Red Norvo By

LP (Item 521888) Contemporary, 1957 — Condition: Near Mint-

Red Norvo's dragged his vibes out into a field of wildflowers – and while we hate to think what that's done to the sound of his instrument (not to mention his hayfever), we can definitely say that the album's a groovy treat from the decade when Red was turning out some of his finest music ever! The "Music To Listen To" title is a nod towards some of the mood music sets of the time – but that quality is here in title only, as the album's definitely an all-jazz affair – one that expands out the original Norvo trio sound to sextet formation – getting some wonderful sounds from Buddy Collette on flute, Bill Smith on clarinet, Barney Kessell on guitar, Red Mitchell on bass, and Shelly Manne on drums – all players who can hit the fresh, modern tones that Norvo's known for, but who also help things swing nicely overall. The flute/clarinet mix is especially sweet – a fluttering, bird-like sort of reed effect – and titles include "Divertimento", "Red Sails", "Poeme", "Rubricity", and "The Red Broom".  © 1996-2019, Dusty Groove, Inc.
(OJC pressing.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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