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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A record that has Julie London already hitting that great "Nice Girls Don't Stay For Breakfast" mode of later years – the adult, informed approach that showed that the teasing nude of the 50s had turned into a pleasing woman of the 60s – capable of frank presentation of ... LP, Vinyl record album
Plenty of body, and even more soul – a great little groove on the record at points, in that slinky, vampy sort of mode that Julie London picked up in the 60s! The album's got Julie taking on a fair bit of R&B and bluesy numbers – still singing in her more jazz-based style, but ... LP, Vinyl record album
Hard to imagine that Julie London would ever have to ask anyone to make love to her – at least not when she looks as sexy as this on the cover! The album's a key early classic for Liberty – still very fragile, personal, and up-close enough to make you think you might just be able to ... LP, Vinyl record album
Great work by a great singer – the far under-recorded Irene Kral, a lovely lady who really bridges a number of different camps in the vocal jazz world! At one level, Irene's got the coolness of a Christy or Connor, but at another, she's got a more open, swinging, and soulful style – ... LP, Vinyl record album
A beautiful early session on Charles Mingus' Debut Records label – one that features singer Ada Moore – a thin-voiced, yet soulful songstress with an edgey sort of tone! The album's got lots of nice rough edges that take it away from the cliched vocal album of the time – ... LP, Vinyl record album
A slightly unusual set by legendary jazz vocalist Johnny Hartman from the mid 70s. These sessions have him singing with smooth larger arrangements by Fred Norman – in a style that's verging on adult vocals, but has enough of a jazz swing to still please our ears – and some interesting ... LP, Vinyl record album
A wonderfully mature album from Frank Sinatra – a set that has him coming to terms with his time in life, and expressing things with a beautiful quality that almost sets a whole new standard for his work! And in a way, the aesthetic here is almost that which would be picked up by a host of ... LP, Vinyl record album
Great Johnny Mandel arrangements – and titles include "Song From The Oscar", "Girl Talk", "The Gentle Rain", "Emily", "The Pawnbroker", "Samba De Orfeu", and "The Second Time Around". LP, Vinyl record album
An early vocal set from Les McCann – quite unusual, and pretty darn soulful as well! The album's done in a mode that foreshadows Les' move to soul during the 70s, and features him singing to some hip arrangements by Gerald Wilson – in a soulful, jazzy style that was common for LA of ... LP, Vinyl record album