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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the hippest, hardest albums that trombonist JJ Johnson ever cut for Columbia – a session we'd rank right up there with his amazing JJ Inc record, and like that one a really cooking hardbop record that maybe even rivals the best on Blue Note and Prestige at the time! As with that gem, ... LP, Vinyl record album
With Ron Carter, Ray Drummond, and Charnett Moffett on bass; Marvin Smith and Jeffrey Watts on drums; John Longo on trumpet, Robin Eubanks on trombone, Mulgrew Miller and Kenny Kirkland on piano, and includes narration by Wendell Pierce from The Wire! LP, Vinyl record album
Small group genius from one of the first major players of jazz guitar – electrified Charlie Christian, working here in the Benny Goodman Sextet, and in his own combo too! LP, Vinyl record album
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through ... LP, Vinyl record album
The first Thelonious Monk album for Columbia Records – and one of the best, as well – a beautiful illustration of the way that his shift in labels really set some new fire to his music in the early 60s! The group is Monk's sharp-edged quartet with the amazing Charlie Rouse on tenor, ... LP, Vinyl record album
One of Duke Ellington's best albums of the 50s – a well-conceived session of dark moody tracks that revisits a few old favorites, hits a few standards, and offers a new gem that's right up there with the classics! The "indigos" title is taken very seriously here – as the ... LP, Vinyl record album
One of the first albums to ever issue recordings made at the Newport Jazz Festival – quite a big hit, and the beginning of a real trend in jazz! The set's also some great work by Duke – free to perform in a setting that's not bound by some of the time restrictions of earlier years, ... LP, Vinyl record album
An early vocal set from Les McCann – quite unusual, and pretty darn soulful as well! The album's done in a mode that foreshadows Les' move to soul during the 70s, and features him singing to some hip arrangements by Gerald Wilson – in a soulful, jazzy style that was common for LA of ... LP, Vinyl record album
A hell of a record from the young Roland Kirk – one of his first for Mercury Records, and the start of a great run of genius in the 60s! Kirk is mindblowing here – playing tenor, flute, manzello, and stritch – often at the same time, as pictured on the cover – a mode that's ... LP, Vinyl record album
Freddie Hubbard at the peak of his 70s powers – and one of his finest albums of the decade! The record follows strongly in the tone that Freddie set at CTI on his mighty Red Clay and Sky Dive sets – long, drawn out tracks – done with lots of electricity in the rhythms, and a very ... LP, Vinyl record album