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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The first Bob Marley album on Island Records – and the start of a really legendary run that would not only transform reggae in the 70s, but the rest of popular music as well! Chris Blackwell's partially at the helm on production, but the album was mostly recorded in classic Kingston studios ... LP, Vinyl record album
First US release by this Jamaican rocksteady duo, recorded in Jamaica with Byron Lee at the helm. As you'd expect from Byron Lee, there's some moves towards a crossover sound here, with a few nods towards 70s funky bits, with the tracks "Baby, I'm Sorry", "Keep On Doing It", ... LP, Vinyl record album
Early EP from the hot steppa, with Sly & Robbie's Taxi gang production. 6 tracks: "Trouble You A Trouble Me", "World A Music", "Them Thing Deh", "Genereal", "Wings With Me" & "Hal Mi Idrin". LP, Vinyl record album
8 tracks in all "I Am The Living", "Another Summer", "All The Strength We Got", "It's The Beginning Of An End", "Gone Clear", "Love Again", "Satan's Kingdom" and "Morning Train". LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
Wonderfully weird sounds from Lucifer – a record cut during the powerhouse 70s soul years of the Invictus/Hot Wax label, but done with a sound that's much more bluesy and rootsy than any other work for the company! Vocals are by Eugene Smith, who has a cool sort of Bay Area vibe – ... LP, Vinyl record album