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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An unusual UK album, recorded at a time when Peggy Lee wasn't doing as much work on this side of the Atlantic! Features backings by Pete Moore's orchestra – and Moore also handled arrangements. LP, Vinyl record album
Early Capitol Records material from Peggy Lee – including her hit "Manana", plus "Hold Me", "The Nightingale Can Sing The Blues", "It's A Good Day", "Golden Earrings", and a great take on "Why Don't You Do Right". LP, Vinyl record album
A groovy collection of singles from Peggy Lee – all material from her early return to Capitol Records after a mid-50s stint at Decca – brought together in a full length album from 1960! The work here already shows a great change in Peggy's style – that tightening up and hipping ... LP, Vinyl record album
Early 50s work for Decca – with titles that include "You're Blase", "Something I Dreamed Last Night", "So Blue", "Too Late Now", "Street Of Dreams", and "It Never Entered My Mind". LP, Vinyl record album
As smooth as mink – and as sexy too! The album's one of Peggy's jazziest from the Capitol years – and has her working with some really great arrangements by Max Bennett or Benny Carter – both of whom come up with a lean groove that swings tremendously, but without some of the ... LP, Vinyl record album
A key album in the transformation of Peggy Lee's sound at the end of the 60s – one that has her moving from just being a jazz singer, into a more complicated role of interpreting contemporary singer/songwriter material – often with a mature and experienced tone, one that makes her ... LP, Vinyl record album
A classic set of tracks from Peggy – featuring the sublime hit "Is That All There Is?", produced by Lieber & Stoller, and arranged and conducted by Randy Newman. Other arrangements are by the likes of Mike Melvoin, Mundell Lowe, George Tipton, and Bobby Bryant – all of ... LP, Vinyl record album
One of Peggy Lee's excellent Latin-tinged sides for Capitol Records – and an album that gives her already-great style of jazz vocals a nice added bounce in the backings! Arrangements are by Joe Harnell – not the most authentic of Latin talents, but an artist who's well-suited to ... LP, Vinyl record album
Brilliant harmony vocals by the Four Freshman – an album with a title that perfectly sums up the Four Freshman contribution to 50s jazz, and their sublime way of re-casting vocals in their work! Most of the numbers on the set are familiar ones, but they're redone by the group with a ... LP, Vinyl record album
A sad little album that has Frank still in the throes of the emotional loss expressed on The Wee Small Hours album – working here with Gordon Jenkins arrangements that use a fair bit of strings to well up the darkness that lurks in the songs on the set. The album kicks off with the sublime ... LP, Vinyl record album